curvature

A cell monolayer resembles a crowd of people lined up one behind the other. If there are obstacles in the crowd, say two pillars, people must go around them, and vortices appear in the flow. In living tissue, such vortices are called topological defects, and they are not just a random occurrence but a way for the tissue to adapt to the shape of its surroundings.

In the quiet of the quantum world, there is no emptiness. Particles are intertwined by invisible threads — entanglement. The authors of the work proposed that the very fabric of spacetime is woven from these threads. This is not just a metaphor: they built a mathematical framework where the distance between points is determined by how much shared information they hold.

In 1915, Albert Einstein and Wander Johannes de Haas demonstrated that when an iron rod is magnetized, it twists slightly — the angular momentum of electrons is transferred to the crystal lattice.

Medical scans are maps of tissue density. The brightness of each pixel reveals what’s there, much like photometry measures light intensity. But conventional algorithms analyze pixels in isolation, producing jagged organ boundaries. A new approach compels the program to prioritize smoothness.

Forget the flat sheet: embryonic tissue is a dynamic landscape of hills and folds. On convexities, cells stretch; in concavities, they compress, as if performing a dance governed by laws eerily similar to spacetime curvature.

Two light rays meet at a point and then diverge. Their paths form two intersecting surfaces in spacetime — null hypersurfaces (boundaries along which light propagates). It is on such a pair of surfaces that physicists can set initial data for Einstein's equations. This is called the characteristic Cauchy problem.

Two synchronized swimmers dive into the sea. One hits calm water, the other a whirlpool. Their movements, perfectly coordinated at the start, diverge. Something similar happens to two quantum particles when one moves in flat space and the other in curved space.

Toss a handful of phosphorus into silicon, and at a certain impurity concentration the material suddenly starts conducting electricity. This is a metal-insulator phase transition, and it happens abruptly. But what exactly changes in the electron wave functions when an insulator becomes a metal?

A candle flame in a draft dances: now it flares up, now it almost goes out. Quasars behave much the same way — supermassive black holes in the centers of distant galaxies, surrounded by a scorching disk of infalling matter. Only they flicker not over seconds, but over months and years.

Light passing by a black hole swirls like water down a bathtub drain. The most intriguing part is the thin ring where rays can orbit forever, neither falling in nor escaping. This is the photon sphere — an invisible boundary that paints the hole's shadow on the sky.

A stone drops into a pond, and ripples spread across the water. If a protruding branch blocks the ripples' path, part of the wave reflects, and part bends around the obstacle. Gravitational waves, ripples in spacetime itself, behave similarly when passing by galaxy clusters or black holes.

A wormhole is a tunnel through the fabric of spacetime, an idea expanded by John Wheeler and Kip Thorne. Just as a mountain passage tends to cave in, the throat of a wormhole wants to snap shut.

The universe abhors monotony. A century ago, Edwin Hubble and Georges Lemaître gave us an elegant picture: an expanding cosmos, smooth as the surface of an inflated balloon.

In a superconductor, electrons pair up like dancers holding hands. Usually, the distance between them, the pair size, depends on how fast they move and how strongly they are bound. But sometimes the dance floor almost disappears, and there's nowhere to move. This happens in materials with flat electronic bands: electrons nearly freeze, and the usual rules stop working.

If two people look at a city from different hills, their maps don't match. One sees the tower to the left of the river, the other sees it to the right. But both know: it's the same city. That's roughly how our Universe works in this new approach to quantum gravity. The authors suggest distinguishing between two "flavors" of spacetime.

When stars at the edges of galaxies rotate faster than calculations based on visible mass predict, standard cosmology invokes the hypothesis of hidden dark matter — invisible substance that reveals itself only through gravity. A new study offers an alternative that requires no new particles.

A gold particle a few nanometers across looks like a tiny faceted diamond, but with five faces instead of the usual ones. Inside it hides a defect, like a crack in glass that can either heal or shatter the whole object. Scientists set out to discover what makes this defect move and disappear.

The tear film on the eye is an ultrathin layer of fluid that protects the cornea and keeps vision sharp. It’s usually pictured as a perfectly smooth surface, but the real cornea, even a healthy one, is covered in microscopic bumps.

A raindrop falling to the ground strikes with a certain force. But what if the drop isn't round but elongated like a cigar or flattened like a pancake? It turns out that shape is everything: the impact force can vary by more than a factor of ten just because of how the drop looks at the moment of impact.

A thin rubber film lies on a table. Someone grabs it by the middle and slowly pulls upward. The film doesn't just rise: it arches into a dome, then wrinkles run along the dome's edge, like pleats on a skirt. Pull higher — the wrinkles gather into large folds that cross the entire film. And if you start lowering it, the folds don't disappear but collapse into new shapes.

An electron gliding over invisible hills and valleys created by a spin texture: that is the picture behind a new chapter in condensed matter physics. In quantum materials where the direction of localized spins varies smoothly (a spin texture), an electron is no longer just a particle flying through the lattice.

A woven basket holds its shape not because it has a rigid frame, but because each strand is interlaced with its neighbors. Pull one out, and the pattern unravels, leaving a heap of twigs. Quantum mechanics, according to a new paper, works the same way: its elementary objects do not exist independently, but only in interweaving with each other.