virgo

The orchestra is playing fortissimo, and someone in the third row is whispering. Hearing that whisper is the challenge astronomers face at the star HR 8799: four bright giant planets drown out the faint light of a possible fifth, hidden very close to the star. The HR 8799 system is a proving ground for direct exoplanet imaging.

The night sky only looks black: telescopes reveal millions of galaxies, but some are so dim they blend into the background. Astronomers caught just such a "nearly invisible" one by chance while observing the Virgo Cluster with the two-meter telescope at Teide Observatory. The galaxy is named TTT J1237327+143535.

From 1987 to 1991, astronomers last measured how Jupiter's icy moons reflect radio waves. Then came a long pause. In 2011–2024, researchers aimed a radar beam at Europa again: this time using the 70-meter antenna at Goldstone and the Green Bank Telescope. Ice is nearly transparent to radio waves, like clear window glass is to light.

Gravitational-wave detectors are like extremely sensitive ears: they pick up the trembling of space when black holes or neutron stars collide somewhere in the universe. But even the most sophisticated "ears" cannot hear everything. The new LIGO A# project is like replacing the eardrum with a thinner, more sensitive membrane.

Betelgeuse, the red supergiant familiar from Orion's shoulder, keeps surprising us. After the mysterious Great Dimming of 2019–2020, when the star suddenly dimmed, it didn't just recover; it changed its ways.

A noisy café. You're trying to make out two quiet conversations: one from the table by the window (black hole mergers), the other a barely audible whisper from the far corner (echoes of the universe's birth). But the hiss of the espresso machine and street noise (detector jitter) drown everything out. New work teaches a computer to separate these sounds.

For a whole year, LIGO, Virgo, and KAGRA listened to the trembling of spacetime. Thousands of mergers of black holes and neutron stars left clear signatures. But hidden among them was another signal — a barely audible whisper.

The spiral of water draining into a sink spins faster and faster toward the center. In an ordinary black hole, that funnel ends in an infinitely sharp point — a singularity where the laws of physics break down. But this new work considers a different picture: the funnel doesn't taper to a needle but ends in a smooth, swelling bubble.

A huge bowl of water. Drop a stone into it — ripples spread across the surface. The fabric of spacetime works much the same way: when two massive stars merge, they create ripples — gravitational waves. These waves travel to Earth and are picked up by giant detectors like LIGO and Virgo.

A kaleidoscope of noise — that’s one way to describe the data stream pouring out of the LIGO interferometers.

A spinning top that makes a hundred turns per second suddenly starts losing speed dramatically — much faster than any known top. That's exactly what pulsar J0435+3233 is doing. It's a dead star, crushed to the size of a city, but whirling at a furious rate.

In 2034, a rocket leaves a spaceport with an unusual payload: two spheres the size of a large globe, each weighing nearly a ton. No engines, no electronics. Just a mirrored surface of hundreds of corner-cube reflectors — tiny prisms that return light exactly to where it came from. This is the future space tuning fork.

In 2019, the LIGO facility recorded a gravitational waves, a ripple in the fabric of spacetime, whose time-frequency map resembled a strange comb. Each such signal from a black hole merger leaves a unique pattern, like a fingerprint.

13.8 billion years ago, the universe swirled in a waltz. The right turn was forbidden. Today, the echoes of that cosmic ball reach us as a barely perceptible ripple in spacetime — gravitational waves. Their existence was predicted by Albert Einstein.

Gravitational-wave detectors are like sensitive microphones, listening for the whispers of distant cataclysms. But every now and then, a sharp crack bursts in — a brief noise spike known as a glitch.

In pursuit of gravitational waves, ripples in spacetime left by black holes and neutron stars, detectors like LIGO pump their arms with light of dazzling intensity.

The space antennas LISA and Taiji each consist of three satellites flying around the Sun behind Earth, forming a triangle with sides millions of kilometers long. They measure how the distance between them changes when a gravitational wave passes, like ripples on a pond from a thrown stone.

A pair of neutron stars, locked in a gravitational embrace, traces invisible circles in the void. A century ago, Albert Einstein described this dance as waves of curved geometry, but for a long time we could only catch glimpses — through the feverish flicker of radio pulses.

Two sensitive microphones are listening to the Universe. One hears a low hum, the other hears almost nothing. It's not a malfunction: it's about how they are oriented. Gravitational-wave observatories like LIGO don't just catch loud bursts from black hole mergers.

The planet-spanning web of undersea internet cables acts like a giant ear. The glass thread inside responds to water movements: currents, tides, and distant earthquakes bend the cable. Light traveling along the thread takes slightly longer: this delay is measured on shore against a reference. That’s how the speed of light reveals itself.

A gravitational wave observatory is like a set of microphones scattered across the Earth. When a signal arrives from space (say, from a black hole merger or a supernova explosion) each microphone hears something slightly different.

The universe is permeated by invisible mass, dark matter, whose existence was first proposed by Fritz Zwicky in the 1930s, based on his observations of galaxies moving in clusters.

A translator records a multi-hour conversation. If they try to hold the entire dialogue in their head, they're bound to garble details by the end. That's roughly how gravitational observatories work: they listen to the 'conversation' of massive bodies spiraling together.

An ultra-sensitive microphone listens not to sound, but to the trembling of space itself. That's how gravitational wave detectors work — LIGO, Virgo, KAGRA.

Pulsars are dead stars spinning with flawless rhythm. Their radio blips are more precise than atomic clocks. However, gravitational waves — ripples in the fabric of spacetime, predicted by Einstein — disrupt that rhythm.

It was Edwin Hubble who discovered that galaxies are rushing apart, and Georges Lemaître linked this to the expansion of space. Today, the ΛCDM model, relying on dark energy and dark matter, asserts that the Universe is flat as a perfectly stretched canvas.

In the quiet of a laboratory, a graphite flake hovers above a magnetic grid. This is not just a demo of diamagnetism's magic — it's listening to the Universe. Like a spider casting its web to catch vibrations from an invisible world, this flake has become a gravitational web.

LIGO, Virgo, and KAGRA detectors act like giant microphones, listening in on gravitational waves — vibrations of space itself. The new GWTC-5.0 catalog recorded 161 black hole mergers, bringing the total count to 390 events.

Imagine a giant inflatable balloon with galaxies painted on it. As it inflates, the pattern stretches and neighboring dots move apart. The rate of that stretching is the Hubble constant. Astronomers usually catch light from distant stars and see how much it has reddened due to the stretching of space.

Two beams of light race around a closed loop, heading toward each other. Since the speed of light is constant, when the ring turns, one beam has to catch up with a moving finish line, while the other meets it sooner. Their meeting creates a pattern, and from that pattern we can tell how fast the whole system is spinning.

Spacetime is not a passive void but a dynamic membrane capable of elastic deformation. When neutron stars (ultra-dense objects the size of a city, where matter is compressed to nuclear density or black holes) regions with gravity so strong that even light cannot escape their bounds collide, the membrane shudders, generating…

Gravitational waves are ripples in space from the mergers of black holes and neutron stars. Existing detectors, built with contributions from Kip Thorne and Rainer Weiss, work like highly sensitive microphones but only hear the highest 'notes'.

Gravitational waves are ripples in the fabric of space, like circles on water from a thrown stone. On Earth, they are drowned out by traffic, tides, and earthquakes, like a storm beating on a lake, making it impossible to notice faint splashes. The LILA project moves the detector to the Moon, where windless silence reigns.

When two black holes merge, the resulting black hole 'rings' for a while, emitting gravitational waves — like a dying bell. This ringing is captured by giant detectors created by Rainer Weiss and Kip Thorne.

Einstein's theory of gravity explains how mass warps space and time. Its predictions have been tested near Earth, but the most grueling tests lie around black holes, where distortions reach their breaking point. Until now, astronomers saw them as blurry smudges on an underexposed photo.

In the headphones used to listen to a distant orchestra, there is an occasional crackle. The crackle can be so loud that it drowns out the music or even blends in with it.

Your finger is a living sensor: beneath the skin, arteries pulse in time with your heart. Traditional blood pressure cuffs squeeze your arm and give a single number, but this ring uses eight electrodes to pass a weak current through the tissue and map blood flow.

In giant accelerators, particles zip through detectors in billionths of a second, and telling one from another requires a stopwatch of incredible precision. The new µRWELL-PICOSEC detector acts as such a stopwatch: it captures the moment a particle passes with a precision of 48 picoseconds: that's 48 trillionths of a second.

After a supernova explosion, a neutron star neutron star remains: a city-sized ball of unimaginably dense matter, spinning hundreds of times per second. Any tiny bump on its surface would make it wobble like an off-balance spinning top, humming faintly through the fabric of space.

Black holes aren't silent abysses, but nature's tuning forks. Their rapid spin, predicted by Roger Penrose, makes spacetime itself sing, producing a stream of the lightest particles — axions. These accumulate around the hole, like sound in a concert hall, and begin to oscillate in unison.